Disney resort rooms to get ‘Pirates’ theme

July 31st, 2008

Walt Disney World has unveiled plans to give some rooms at its Disney’s Caribbean Beach Resort in Orlando, Fla., a “Pirates of the Caribbean” makeover.

The Orlando Sentinel said the company is planning to incorporate the look from the popular theme-park attraction and movies in 384 rooms in the resort’s Trinidad South Village Area. The renovation is expected to be completed some time next year.

“Pirates” rooms will feature beds shaped like ships, dressers that resemble old crates and curtains that appear to be tattered sails, The Sentinel said.

The resort has a total of 2,112 rooms.

Wall-E Will Lift Disney

July 31st, 2008

Wall Street, meet Wall-E. Thanks in part to the success of Pixar Animation Studio’s Wall-E, a robot love story, Walt Disney should beat Wall Street estimates when it releases third-quarter earnings on Wednesday. Analysts surveyed by Thomson Reuters forecast earnings of 61 cents per share on revenue of $9.1 billion for the period through June.

Last quarter, Walt Disney (nyse: DIS - news - people ) reported better-than-expected results due to strong performances in its film, broadcasting, and theme-park units, including strong international sales of shows like “Grey’s Anatomy,” “Lost,” and “Dirty Sexy Money.” (See “Disney’s Magic Kingdom Of Profit”) While analysts expect growth to continue in film and broadcasting, theme park revenue should be down due to the calendar shift of the Easter holiday from the third quarter of 2007 to second quarter of this year.

Disney’s Media Networks division had a mixed third quarter. Its cable division should show growth, thanks to high NBA playoff ratings that led to a strong performance at ESPN. Viewership of ABC Family, Disney’s third-largest ad revenue generator, increased by 18 percent. The company’s broadcasting unit stumbled, however, in the third quarter. The writers’ strike led to a 15 percent drop in average primetime ratings among adults 18-49. Because of the strike, the network has fewer episodes of Lost, Desperate Housewives, Ugly Betty, and Brothers and Sisters to put into syndication, and ABC Studios should show modest decline due to lower international syndication revenues.

Despite the success of Pixar’s Wall-E, which was the ninth straight number one launch for a Pixar Studio film, Oppenheimer analyst Jason Helfstein expects the company’s film division to report its weakest quarter of the year. High prints and advertising costs for Wall-E and another third quarter release, “The Chronicles of Narnia: Prince Caspian,” should lower margins. Third-quarter film revenue will pale in comparison to last year’s results, which were buoyed by the blockbuster “Pirates of the Caribbean: At World’s End.” Even so, Helfstein expects the film division to beat Wall Street estimates.

Helfstein predicts that Disney’s theme parks and resorts division will have a weak third-quarter performance on early signs of recession, with the worst still to come as higher airfare costs have a greater negative impact later in calendar 2008. Disney execs have reported strong summer bookings, thanks to international visitors taking advantage of the weak dollar.

Hong Kong enables Disneyland visas

July 31st, 2008

The Chinese and Hong Kong governments have announced special visa arrangements making it easier for people living across the border in China’s massive industrial city Shenzhen to visit the Hong Kong Disneyland theme park. Under normal rules migrant workers living in Shenzhen would have to return to their original homes to apply for a visa. New rules allow them to visit without visas on condition that they go as part of an organized tour group and do not travel anywhere else.

Some 8 million to 16 million people will be eligible under the new rules, which were announced Tuesday as part of the fifth phase in the Closer Economic Partnership Arrangements between Hong Kong and China, which have separate constitutional and legal systems.

Local newspapers described it as a “lifeline” for the park, which has failed to meet its visitor targets in its nearly three years of operation.

The new rules were quickly criticized as favoring a single business over other tourist attractions. Hong Kong Disneyland is 57%-owned by the Hong Kong government.

GAME OVER for TRON’s first director

July 31st, 2008

It’s been a week now since that “TR2N” teaser trailer ran at Comic-Con. And Disneyana & sci-fi fans are desperate for additional information about this Summer 2010 release.

Well, let me share some info that I’m sure will send all of you “TRON” fanboys out there straight off the Game Grid. Guess who’s the real power-behind-the-throne (The Master Control Program, if you will) on this particular Walt Disney Pictures production? Would you believe John Lasseter?

Yep, the Chief Creative Officer of Pixar and Walt Disney Animation Studios has quite the soft spot when it comes to the original “TRON.” Lasseter still remembers when he first saw this Steve Lisberger film. Which was back in 1981 when John was just a lowly animator toiling away on “Mickey’s Christmas Carol.”

One lunch hour while wandering around the Disney lot, Lasseter came upon the trailers where all of the 16 X 20 Kodalith cels that were used in this 1982 production were stored. And it was here that John first saw “TRON” ’s lightcycle sequence. And as Lasseter looked at this CG sequence …

“It absolutely blew me away! A little door in my mind opened up. I looked at it and said, `This is it! This is the future!’”

Mind you, John was quite taken with the look of “TRON” (as well as — of course — that film’s use of computer animation). But as for that movie’s storyline … Lasseter wasn’t really a fan. He felt that Lisberger had missed some obvious opportunities to create a truly compelling piece of entertainment. Something that would have touched an audience’s emotions as it dazzled their eyes.

Which is why — even though Steve (i.e. “TRON” ’s original director & co-writer) has spent the past five years developing a script for a sequel — none of that material will now be used in the production of “TR2N.”

Don’t get me wrong, folks. Lasseter is still extremely respectful of all the groundbreaking work that Lisberger & his production team did on the first “TRON.” Which is why Steve will receive a co-producer credit on this 2010 Walt Disney Pictures release. But as for Lisberger having any real creative input on the sequel … “GAME OVER !,” man.

“So — if Steve isn’t working on the ‘TR2N’ screenplay anymore — who is then?,” you ask. Well … Allegedly at John’s insistence, Disney hired Eddie Kitsis & Adam Horowitz to create a script for this sequel. Given their long association with “Lost,” Kitsis & Horowitz have lots of experience when it comes to guiding colorful characters through surreal settings. Which made Eddie & Adam an obvious choice for the “TR2N” assignment.

And if Lisberger’s no longer slated to helm the “TRON” sequel, who’s Disney now going to get to direct this movie? Joseph Kosinski. Who has yet to actually direct a full-length feature film but has created some award-winning commercials for Saab, Nike and X-Box.

In fact, if you want to get some sense of the visual look that Joseph wants to bring to “TR2N,” click on the above links. Or — better yet — check out Kosinski’s animated architectural renderings. These will give you a better sense of Joseph’s eye. The way this guy moves a camera. Which offers a hint of how truly dazzling a Kosinski-directed version of “TRON” could be.

Speaking of which … To convince Disney executives that his vision for “TR2N” was commercially viable, Joseph spent six months working in secret with the folks at Digital Domain. Laboring to create a vivid, updated version of “TRON” ’s famous lightcycles. With the hope that this three-minute-long sequence would then prove to the suits that a sequel to this 26-year-old film would actually appeal to today’s gamers.

Which brings us to Disney Interactive Studios’ involvement in the “TR2N” project … To help prime the pump for this potentially-hugely-profitable profect, Disney’s gaming division actually released an Xbox 360 version of those classic arcade games, “TRON” and “Discs of TRON,” last summer. Given the huge number of units that were then sold to video game players as well as “TRON” fans … It was clear that there are a lot of people out there who — just like John Lasseter — have a very soft spot in their hearts when it comes to this particular Walt Disney Productions release.

But that said … There are still those at the Studio who are saying that it may be a mistake to release a “TRON” sequel 28 years after the fact.

What film am I talking about? “Toy Story 3.” Which rolls into theaters nearly 15 years after the first “Toy Story” film debuted.

So what do you folks think? Do you think that “TR2N” has a better chance of becoming a truly entertaining motion picture now that you’ve learned that John Lasseter is shepherding this project? Or is it just too late for a “TRON” sequel to connect with today’s audiences?

Disney Imagineer Harriet Burns dies

July 30th, 2008

Harriet Burns, first woman ever hired by Walt Disney Imagineering in a creative rather than an office capacity, died July 25 in Los Angeles, Calif. She was 79.

Burns helped design and build prototypes for Disneyland attractions such as the Enchanted Tiki Room, the Carousel of Progress, Pirates of the Caribbean and the Haunted Mansion.

A memorial service is planned for Aug. 20 at All Saints Episcopal Church in Montecito, Calif. She was an active member of the arts and music community in Santa Barbara.

Born in San Antonio, Texas, she attended from Southern Methodist U. and studied advanced design at the U. of New Mexico in Albuquerque.

Her first entertainment job in Los Angeles was at Dice Display Industries Cooperative Exchange, where she helped design and produce props for TV’s “Colgate Comedy Hour” along with interiors and sets for Las Vegas Hotels, including the Dunes. She also worked on the creation of the Southern California tourist destination Santa’s Village, which was located near Lake Arrowhead for several decades.

In 1955, she began working for Walt Disney Productions on the TV series “The Mickey Mouse Club,” where she was a prop and set designer. While working at the studio, she shared workspace with Fred Joerger, a model builder for WED Enterprises (now Walt Disney Imagineering), who was working at the time on models for Disneyland Park. She worked on models for both the television show and the theme park in the model shop, helping create the models of Sleeping Beauty Castle as well as other opening day projects like the miniature scenes in the Storybook Land Canal Boats attraction.

According to Walt Disney Imagineering, she worked shoulder to shoulder with men in the model shop, wielding saws, lathes and sanders, and was still considered the best-dressed employee in the department. “It was the 1950s,” she explained. “I wore color-coordinated dresses, high heels and gloves to work. Girls didn’t wear slacks back then, although I carried a pair in a little sack, just in case I had to climb into high places.”

“What really earned respect for Harriet Burns was her creative skill,” said Marty Sklar, Exec. VP of Walt Disney Parks and Resorts and Imagineering Ambassador. “Fred Joerger, Wathel Rogers and Harriet became known as the WED Model Shop, the heartbeat of Walt’s design engine for Disneyland and beyond.”

After the opening of Disneyland, she worked on projects such as models of the Matterhorn as a 1/100th scale replica of the famous Swiss mountain and painted underwater figures and set pieces for the Submarine Voyage.

She also worked as a figure finisher for Walt Disney’s Enchanted Tiki Room, applying individual feathers to the birds. Among other contributions, she worked on everything from figure finishing to stage design for 1964 New York World’s Fair attractions, including Great Moments with Mr. Lincoln and The Carousel of Progress.

She helped with the models and designs for much of New Orleans Square including Pirates of the Caribbean, where she built a model of the entire attraction and was also a figure finisher on the pirates, and worked in a similar capacity on the Haunted Mansion.

In 1986, she became the first woman with a window dedicated to her on Disneyland’s Main Street U.S.A. which reads, “The Artisans Loft — Handmade Miniatures By Harriet Burns.” The Walt Disney Company named her a Disney Legend in 2000.

She is survived by a daughter and two sisters.

Hollywood Records Drops Disney Star Raven Symone

July 30th, 2008

According to recent reports, Disney’s “That’s So Raven” star Raven Symone has been dropped from the networks’ Hollywood Records.

After signing a two album deal with Hollywood in 2004, Symone, who had fulfilled her contract was dropped from the label that is also home to Miley Cyrus, The Jonas Brothers and Corbin Bleu due to album sales last week.

Symone released her first album on the label in 2004, titled This Is My Time, which sold 237,000 copies in the U.S., followed by a self-titled album which was released this April. The album has sold under 10,000 copies so far according to Teen Hollywood.

Earlier this year Symone shed light on her experiences with “Hollywood Life,” stating “Beauty is in the eye of the beholder, except in Hollywood: It’s whoever says what is beautiful.”

Raven Symone’s latest album featured collaborations with Timbaland and Sean Garrett who she credits for helping her to unleash her inner thoughts including the struggles of being a young woman in Hollywood.

Disney bosses deny Cyrus quitting Montana

July 30th, 2008

Disney bosses have denied reports the forthcoming Hannah Montana series will be singer/actress Miley Cyrus’ last despite the teen sensation admitting it was time the show ended.

Cyrus shot to fame in the Disney favorite at age 11, and is currently preparing to shoot the third season of the hit show.

The young star, now 15, told E! News that she thought it may be time to hang up the Montana mantle, as she had been working so hard on the show for nearly five years.

She said, “We’re thinking this is our last season.

“I just think we did a lot of episodes. We basically did two seasons in one last year. Usually people would do one season that would be, like, 16 episodes, and we did almost 30 episodes!”

But the show’s representatives have denied the show will finish after its third season, and insist they are glad to still have Cyrus as part of the “Disney family.”

The spokesperson tells E! Online, “Miley said it best when she said she’s delighted to be part of the Disney family. We start production on the third season of Hannah Montana on August 4 and have an option for a fourth season beyond that.

“We look forward to the Hannah Montana feature film coming to a theater near you in Spring 2009.”


“Phineas and Ferb” The Fast and the Phineas DVD Review

July 30th, 2008

Creators/Executive Producers: Jeff “Swampy” Marsh, Dan Povenmire .Writers: John Barry, Sherm Cohen, Bobby Gaylor, Antoine Guilbaud, Chris Headrick, Martin Olson, Jeff “Swampy” Marsh, Dave Pomenmire / Directors: Zac Moncrief, Dan Povenmire

Voice Cast: Vincent Martella (Phineas), Ashley Tisdale (Candace), Thomas Sangster (Ferb), Caroline Rhea (Mom), Alyson Stoner (Isabella), Mitchell Musso (Jeremy), Dan Povenmire (Dr. Doofenshmirtz), Jeff “Swampy” Marsh (Major Monogram), Richard O’Brien (Dad), Bobby Gaylor (Buford), Dee Bradley Baker (Perry the Platypus) / Notable Guest Voices: Kelly Hu (Stacy), Evander Holyfield (Himself), Maulik Pancholy (Bajeet), Carlos Alazraqui (Dr. Feelbetter)

Running Time: 115 Minutes (8 episodes) / Rating: TV-G
1.33:1 Full Screen (Original Broadcast Ratio), Dolby Digital Surround 2.0 (English)
Subtitles: English; Closed Captioned; Extras Subtitled
Suggested Retail Price: $19.99; DVD Release Date: July 29, 2008
7 Episodes aired between September 28, 2007 - March 1, 2008; One Unaired
Single-sided, dual-layered disc (DVD-9); White Keepcase

Wizards of Waverly Place: Wizard School

July 29th, 2008

What’s it like to suddenly discover that you have the most awesome magical powers ever? Three siblings find out in Wizards of Waverly Place: Wizard School, coming to Disney DVD from Walt Disney Studios Home Entertainment on July 29, 2008. For the very first time, four episodes of this spellbinding Disney Channel Original Series come together in one bewitching DVD with an amazing and exclusive bonus feature. Alex Russo and her brothers Justin and Max suddenly go from being your average, ordinary kids to discovering their family’s astonishing secret—they are wizards in training! Navigating the unpredictable politics of Wizards’ School, trying to control amazing new powers and fixing magic spells gone awry are just part of everyday life for these teenagers. With a red-hot young cast that includes Selena Gomez (guest appearances on Hannah Montana and The Suite Life of Zack & Cody), David Henrie (guest appearances on That’s So Raven and How I Met Your Mother) and Jake T. Austin (Johnny Kapahala), as well as Maria Canals-Barrera and David DeLuise, Wizards of Waverly Place conjures up nonstop laughs as these three siblings find themselves up to their necks in the art of wizardry.

Mastering the art of theme park survival at Walt Disney World

July 29th, 2008

From the moment we arrived in Walt Disney World’s Magic Kingdom, we saw signs of stress: kids wailing in their strollers, frustrated parents rushing their children to the next ride, exhausted grandparents trying to keep up.

Hardly a formula for fun at Disney World, which comprises the world’s most popular amusement parks.

However, we also ran into many family groups, some with more than a dozen people in tow, who have clearly mastered the art of theme park survival.

Ron Morby and his wife from Holland Landing, north of Toronto, were among the latter. They arrived in Orlando with their two children, spouses and five grandchildren.

“We did our research on the best way to enjoy the many choices at Walt Disney World,” Morby said. “But our basic rule is that wherever the kids want to go, we go. We’re on vacation, so we’ll take it easy and never rush.”

Cheryl Russell of Fredericton started planning six months earlier for her week-long Disney adventure with her children and grandchildren.

“Keeping up with the kids is a bit challenging because they run faster than Grandma,” Russell said.

Her survival key is a daily nap.

“With the big crowds and potential for headaches, down time is really important,” she said. “Take a long lunch, a nap or a swim at noon, but break up the day into manageable pieces.”

With our daughter, her husband and our two grandsons, aged six and eight, from Victoria, B.C., we were also among the many multi-generational families who join upwards of 47 million people each year at the four Disney theme parks, two water parks and over 20 hotels and resorts spread out among 11,000 hectares southwest of Orlando. We were particularly anxious to keep the stress level low and fun quotient high, so we started planning several months in advance and read a few guidebooks (the best of which turned out to be “The Unofficial Guide to Walt Disney World”).

Here’s a distillation of what we learned:

  • Daily crowds at Magic Kingdom alone can range from 30,000 to more that 80,000. Avoid ultra-busy times like Christmas, Easter, spring break and summer weekends.
  • Arrive early at any of the Disney theme parks or water parks. This advice has been important since Walt Disney World opened in 1971, but most people still seem to arrive late in the morning, and crowding is one of the biggest frustrations.
  • The Disney-owned hotels and resorts are more expensive than accommodation off-site but the convenience and time saved may be worthwhile. Adjoining rooms are ideal when grandparents and grandchildren are involved. All Disney properties are served by the efficient monorail or free buses.
  • Have a plan. Do your research so you know what rides and attractions are most popular. Head for them first thing in the morning or late afternoon when crowds start to dwindle.
  • Fastpass is a special ticket you pick up at popular rides enabling you to return at a specific time period for priority boarding. We were skeptical at first but found it worked amazingly well.
  • Some family-oriented rides and attractions are truly outstanding. Our favourites included the 3-D movie “Mickey’s PhilharMagic,” Buzz Lightyear’s Space Ranger Spin and Pirates of the Caribbean (Magic Kingdom); Mission: Space (mild version) and Soarin’ (Epcot); Kilimanjaro Safaris and the 3-D Movie, “It’s Tough to be a Bug” (Animal Kingdom); and the evening spectacular, Fantasmic (Disney’s Hollywood Studios).
  • Canada’s Cirque du soleil has built a permanent theatre in a section of Walt Disney World called Downtown Disney. Their “La Nouba” show is extraordinary.
  • Food in the four Disney theme parks was better than expected but long waits are still the norm. It’s better to return to your hotel for lunch (plus the break is important) or leave the parks for food that’s significantly cheaper.

Chris Baschuk of Calgary was at Magic Kingdom as part of a multi-generation family of 14. “Our challenge is to stay together as a group and stay sane,” he said. “Our plan is to stick together one day and split up the next so we can all have a breather.”

Chris Schissmann of Toronto came to Orlando with his mother, his wife and two kids. “It’s been hard to balance out what everyone wants to do,” he said.

“But it now works because everyone takes a turn. Grandma chooses an attraction, then the kids choose something. It’s wonderful having her along because she gives us a break. She’s had a great time spending the week with the grandkids.”